Date: March 9th 2008



CHESTER FILM SOCIETY eNEWSLETTER
9th March 2008

Our next film

Our next film takes place on:
Tuesday 11th March
Steam Mill
7.45pm

Those Who Love Me Can Take The Train

Patrice Chereau/Belguim-France/1998/120mins

Review

Part of the Chester International Film Festival. Preceded by a short. Please note this performance takes place at the Steam Mill

Patrice Chéreau's Those Who Love Me Can Take the Train is a rarity—a near perfect match of feeling and form wedded by an intellect that's both caustic and compassionate. Chéreau, one of the great theater and opera directors of our time, relishes the aspects of film that distinguish it from the stage—the close-up, the moving camera, and the cut. He deploys them not only to heighten what's happening in the narrative, but for the excitement they generate in the abstract. Those Who Love Me has a superabundance of plot, characters, and relationships, but even when you lose track of who's done what to whom, you can feel the film the way you feel a piece of music. It's a roller-coaster ride for cinephiles with a taste for grand opera.

About a dozen lovers, friends, and students of a famous artist travel from Paris to his hometown of Limoges for his funeral. Limoges, a bastion of bourgeois complacency, boasts the largest cemetery in Europe; the 185,000 dead exceed the live population of the town by 40,000. What better setting for a film that's about how mortality conditions desire? But Those Who Love Me is not a Kane-like portrait of a dead man; it focuses on the mourners, thrown into crisis by the loss of a father figure who seems to have held them in thrall by making them compete for his affection.

The desire released by the death of this mythic figure is mostly male and homoerotic. Chéreau has made a gay, contemporary Rules of the Game (although you wouldn't know that from the poster, which shows what seems to be two women in a hot embrace, but in fact portrays a woman and a transvestite having a heart-to-heart talk). The film's governing conscience is François (Pascal Greggory), who may have loved the dead man more than did anyone else but who also has a steady boyfriend, Louis (Bruno Todeschini), and a secret lover, Bruno (Sylvain Jacques), an exquisite, fragile boy who hangs out in railroad stations picking up tricks. Louis and Bruno are seized by an attack of love at first sight in the lavatory of the train on the way to the funeral. Louis confesses to François that he's in love with another, and François retaliates by telling him that Bruno was his lover for a year and that Bruno is HIV-positive.

The scene is extraordinary for its mix of hilarity and anguish, and because the three men are so beautiful it almost hurts to look at them. There's another scene much later in the film involving the transvestite (Vincent Perez), the dead man's shoe-magnate brother (Jean-Louis Trintignant), and a pair of red spike-heel pumps that's just as rich in cross purposes and inchoate emotions. Chéreau loves his actors (although perhaps the women less than the men) and they all deliver for him, but none more so than Greggory and Trintignant.

Those Who Love Me is shot in handheld Cinemascope (a trip in itself) by the agile Eric Gauthier. The camera movement would be excessively romantic if it wasn't so wittily undercut (dissected, to be more exact) by François Gediger's editing. On a second or third viewing, bits of camera movement emerge and echo in the way motifs do in classical music, tying the parts into a whole. And speaking of music, there's too much of it and some of the choices are too obvious, although it's hard to quibble about a score that includes Mahler and "Save the Last Dance for Me."

DVD Beaver

Trivia

Catalan actor Sergi López, who appears briefly as Marie's trade-unionist husband, has had lead roles in the acclaimed Harry, He's Here To Help and Une Liaison Pornographique.

Tech News

SORRY!

I couldn't issue a newsletter last week. This was because my server was 'upgraded' - I believe that's the technical term for being trashed - and it took me a couple of days to repiece the code to get the mailing list working again. Apologies for any inconvenience this may have caused.

THANKS!

Our first website was launched in 2000, and I'm delighted to see that we have now passed the 20,000 unique visits mark. Chesterfilmfans uses unique visits to measure how many people access the site. Each unique visit comes from a separate computer web address that has made at least one visit to the site during our measurement period. So for example if this visitor makes more than one visit during this period of time, it is counted only once as a unique visit. This makes for a more accurate representation of how many people visit the site.

Odeon News - Action Needed

2 related planning applications have now been lodged for the Odeon building in Northgate Street.

Please see:

http://www.ukplanning.com/chester/search/index.htm

Then enter the following application numbers in the search box.

08/00175/LBC

08/00176/FUL

Now the applications are there for you to see. I for one am going to object on 2 grounds, firstly, demolition of part of a grade II listed building, and secondly, unclear use of the finished building.

You can do your bit by visiting the planning application site and considering whether you would like to object as well. Objections need to be lodged by 23rd March.

Please visit http://www.chesterfilmfans.co.uk/mailing_list/news_080609.htm for an online version of this issue.

 

This newsletter is produced by Mike Graham for Chester Film Society.
Please visit www.chesterfilmfans.co.uk regularly for programme information.

 

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